METRÓPOLIS
"I would not like Freud to explore this series, it comes from I don’t know when, from I don’t know which childhood.
Fatal attraction, it’s always the same, I get closer to the underworld, and there goes out a work condemned to the enjoyment of the odious “intellectual elite ".
Middle Ages and future, underworld, decorations, mechanics, damned modernism, it caught me in the same way as flamenco catches a bagpipe.
I guess that from the original what impacted me was its bravery, its freshness, the authentic modernism and Fritz Lang’s trip to avant-garde (future and past), or even better his Thea’s trip. His German expressionism, tattooed on my retina, and an amalgam between this obsession and the natural evolution of my work.
Black, certainly indispensable, the graphite is for the underworld, and the result, an anger to which I do not find explanation, but that captivates me, because it slips in the execution, without invitation, it has to be that tattoo in my retina."
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Caos en submundo
Caos en submundo
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Corazón industrial
Corazón industrial
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El mediador
El mediador
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Entresijos de la megalópolis
Entresijos de la megalópolis
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Factoria
Factoria
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La creación del ghetto
La creación del ghetto
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Maquina
Maquina
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Metropolis 1927
Metropolis 1927
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Obrero del submundo
Obrero del submundo
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Pendulo
Pendulo
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Torre de Babel
Torre de Babel
